Two weeks until next story (At Horizon’s End)

The day draws near when At Horizon’s End will be available, and that day is none other than July 30. The story is about The Man Behind The Bar (a fancy name for Death personified) and the idea of altering the nature of something eternal and inevitable, like the passing of a mortal life, a phenomenon that in a way obeys a force that seems (to us) to making arbitrary decisions on who goes and who stays. A force that, to an outside observer (perhaps another eternal being), never makes a mistake. Which birthed a question: what if?

What if? I’m a firm believer that this question has driven mankind to great lengths. I wouldn’t be surprised if scientists in future years conclude that everything humanity has achieved through its multitude of cultures and civilisations, relies on that simple, two-word question. What if?

So, in lieu of that, what if Death actually made a mistake? What would Death do to set things right? How far would he go to rectify that mistake? How much would Death’s nature change through his constant dealings with mortals? Would it? Would concepts like love and family seep into him? Could Death, if he were a person, gain a human element? If so, what would that be?

These question were the driving force behind what inspired me to write At Horizon’s End.

As it is, the story breaks some rules. In particular, the story uses two point of view characters: The Man Who Fed on Tears and Stella, a four-year-old girl. Technically speaking, when it comes to creative endeavours, there are no rules. More like guidelines, but it’s not very often one gets to have two point of view characters for this length of a short story. However, every once in a while, it’s okay for a writer (or any creative person for that matter) to break the rules.

What if it leads us to something new and great?

At Horizon’s End

Available: July 30

Story blurb:

The Man Who Fed On Tears always knows whose time it is to remove from our world. His existence is one of a symbiosis between his need for the tears and woe he causes to those closest to the deceased, and the natural order of life and death to which he is bound to obey. He never questions himself or his actions and has never made a mistake. Until now.

Stella is a four-year-old girl who misses her mommy and wants to see her again. She doesn’t yet understand the concept of loss, so when she sees close family members crying, she tries to stay cheerful and optimistic. After all, Mommy said they’d see each other again when the time comes At Horizon’s End. So if they’ll meet again, why is everyone crying?

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